Víctor Barceló (1991) is a percussionist from Las Palmas de Gran Canaria (Spain) who has focused his work on experimentation with different concert formats and the use of multimedia to create experiences that go beyond the plane of acoustics. His music is heavily influenced by techno, free jazz and noise. In recent years he has presented his work in festivals and venues such as

Tokyo Arts and Space (Japan)
Spectrum New York (USA)
Staatsoper Berlin, Wittener Tage für Neue Musik,  Heidelberger Frühling, Blurred Edges, Darmstädter Ferienkurs für Neue Musik (Germany)
Alexandrinsky Theatre St. Petersburg (Russia)
Forum Nueva Musica, Teatro Margarita Xirgu, TACEC, Centro Cultural de España en Córdoba, Condit, Universidad Nacional UNTREF (Argentina)
Centro Cultural España in Montevideo (Uruguay)
Musikverein Wien, Kunstuniversität Graz, Impuls Festival, (Austria)
Laboratorio Nacional de Electroacústica La Habana (Cuba)
Centro Cultural de España (Chile)
Huddersfield Contemporary Music Festival, Royal College of Music London (England)
Lucerne Festival, 2 Tage Strom Zürich, Musikfestival Bern, Gare Du Nord, NUMU, Zeiträume, KlangBasel (Switzerland)
Percussione Temporanea, Spanish Royal Academy Rome (Italy)
INSTALAKCJE (Poland) 
AFEKT Festival Tallinn (Estonia)
CentroCentro, Sala Berlanga SGAE, Mixtur Festival, Festival Bernaloa, Festival Bergerault, Museo Vostell (Spain)

He has worked with composers such as Michael Maierhof, Simon Steen Andersen, Stefan Prins, Marko Ciciliani, Jürg Frey, Hannes Seidl, Alberto Bernal, Georges Apperghis, Mathias Spahlinger, Philippe Manoury and many composers from his generation.

Between 2014-2016 he was percussion teacher at the Conservatorio Superior de Música de Canarias and currently teaches at the Konservatorium Winterthur.

Contact me.